Ali interviews animator and director, Aaron Long. He shares how he became a director on BoJack Horseman, memorable episodes and scenes he’s worked on for the show, his favorite contributions to Tuca & Bertie thus far, the inspiration for his indie cartoon series, Sublo and Tangy Mustard, favorite episodes and funny character names, as well as the character he relates to the most from his show. He also shares his thoughts on cartoon reboots, some of his all-time favorite cartoon characters and advice for young animators and creators.
Ali and returning guest, Sylvie, discuss their early days of reading and writing fanfiction, touching on various fandoms, genres and pairings, as well as collaborations, crossovers, clichés and general misconceptions about fanfiction. They also discuss the pros and cons of writing fanfiction, their thoughts on the successful fanfic turned bestselling trilogy, Fifty Shades of Grey, and their advice for writers.
Ali discusses what goes into writing a TV comedy pilot in this special 100th episode of the podcast! She talks about the two main things any pilot should accomplish as well as the difference between a premise pilot and an episodic pilot, drawing examples from some of her favorites along the way while also talking about how the television landscape has changed over the years.
Here’s the article Ali mentions at the beginning of the episode: Good Place Creator Michael Schur on What We Lose When TV Gets Shorter.
Ali interviews author and TV writer, Nick Adams, whose writing credits include New Girl, black•ish, People of Earth, Tuca & Bertie and BoJack Horseman. Nick shares what his process was for writing his book, Making Friends with Black People, what it’s like working in a TV writers’ room, favorite jokes he’s contributed, hitting a crucial story beat in one of the final episodes of BoJack he wrote, “Xerox of a Xerox,” plus his advice for aspiring TV writers.
Be sure to follow Nick on Twitter.
Ali interviews Emmy award-winning writer, lyricist and composer, David Steven Cohen, whose credits include Pee-wee’s Playhouse, ALF, Arthur, Parker Lewis Can’t Lose, Balto and many other projects, including serving as the head writer of Courage the Cowardly Dog. David shares how he got his start, notable moments in his career, favorite episodes and songs he’s written, his experience as the executive producer of the Writers Guild Awards, advice for up and coming writers, what he’s currently working on and much more!